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A limited run (25 ea.) of my top 50 images, 11"x17"; one time price of $17.00 plus 4.95 shipping!

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• July 1 - September 1, 2010. "Sombrero Surprise" and "A Few Of My Favorite Things"; Pen & Ink stippling / pointillism prints can now be viewed with other paintings by the Burlingame Art Society artists at the Pacific Bank (Directions and Map)

• August 1 – 27th, 2010. Selected limited-run prints; Caffe Sportivo (site) (Directions and map)

• November 1 - December 31, 2010. Burlingame Public Library. (info) Two month exhibit.

Scatterlings©

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• Minis on this blog.
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Fresh Perspectives

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Acrylics

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Pointillism

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Illuminated Tiles

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Dry Pastels

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Oil Pastels

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Photos

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Fragments of a Brief Encounter; Photo Collage, Oil Pastels

fragments of a brief encounter

Title: “Fragments of a Brief Encounter”
Self Photo, Collage, Oil Pastel
More Ascender’s Mixed Media on this blog. Request a print

*Please stop by and read Elijah’s Art and Critique concerning this and other of my collage work. Earlier in the month he honored me with an article on my Scatterlings© review. Elijah writes critical articles on artists from various periods, including contemporary daily/frequent painters and provides a subscription button.

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~~~

The soul selects her own society,
Then shuts the door;
On her divine majority
Obtrude no more.

Unmoved, she notes the chariot’s pausing
At her low gate;
Unmoved, an emperor is kneeling
Upon her mat.

I’ve known her from an ample nation
Choose one;
Then close the valves of her attention
Like stone.

Exclusion by Emily Dickinson

~~~
~~~

Emily Dickinson Wiki

Emily Dickinson Museum

Emily Dickinson in the news

Blogs with poems by Emily Dickinson: clattery machinery, Blue Elephant, Everything and Nothing, Entropy

Blogs with art concerning Emily Dickinson: Kevin Slattery, It’s My Site, Moleskinerie, Tammy Vitale, Kathi Cushman

Farewell To Kings; Oil Pastels, Acrylics

fairwell to kings

Title: “Farewell To Kings”
Medium: Oil Pastels; Acrylics

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More Ascender’s Oil Pastels on this blog.

~~~

How exhilarating it was to march
along the great boulevards
in the sunflash of trumpets
and under all the waving flags—
the flag of ambition, the flag of love.

So many of us streaming along—
all of humanity, really—
moving in perfect step,
yet each lost in the room of a private dream.

The Parade by Billy Collins
~~~

Billy Collins Wiki.  More Billy Collins at The OC Art Blog, Dispatch from LA, Misty Mawn, Creative Everyday, 37 Days, Writing in Faith, Hamguin Hide-not

Not Such A Secret Afterall; Oil Pastels, Acrylics

explode

Title: Not Such A Secret
Medium: Oil Pastels, Acrylics
Appearing in my upcoming illustrated novel

More Ascender’s Oil Pastels on homepage and on this blog.
Contact to request a Giclee.

~~~
~~~

The angular grim-suited man
poised in the hearse-coloured room
calls up his staff one by one
under a lamp coiled like a snake.

Making a distance when they come
he writes on,
frowns through a page,
scowls at their throats,
writes again.

When he speaks his words are fanged.
When he questions he vivisects.
He reviews, informs, reprimands,
or sacks.
He never softens his mode to respond,
seldom bends to understand.
People are measured for use.
If their dimension declines
he cuts them down.

Such masters as this prey in wait
wherever quarry is found.
The lure is to inflict distress;
the apology, gain.

Angle-Poise Executive by Michael Hoyland
printed in THE INTERPRETER’S HOUSE

~~~
~~~

Suit; slang for a professional, The Establishment

Authoritarianism

one who does not belong to the “establishment”: “outsider

Outsider Art

Anti-Establishment

Transcending Boundaries; Oil Pastels

toplessbottomless

Title: Transcending Boundaries
Medium: Oil Pastels on Paper

Inquire to purchase a print.
More Ascender’s Oil Pastels on homepage and this blog.

~~~
~~~

I went for a walk over the dunes again this morning
to the sea,
then turned right along
the surf
rounded a naked headland
and returned

along the inlet shore:

it was muggy sunny, the wind from the sea steady and high,
crisp in the running sand,
some breakthroughs of sun
but after a bit

continuous overcast:

the walk liberating, I was released from forms,
from the perpendiculars,
straight lines, blocks, boxes, binds
of thought
into the hues, shadings, rises, flowing bends and blends
of sight:

I allow myself eddies of meaning:
yield to a direction of significance
running
like a stream through the geography of my work:
you can find
in my sayings
swerves of action
like the inlet’s cutting edge:
there are dunes of motion,
organizations of grass, white sandy paths of remembrance
in the overall wandering of mirroring mind:

but Overall is beyond me: is the sum of these events
I cannot draw, the ledger I cannot keep, the accounting
beyond the account:

in nature there are few sharp lines: there are areas of
primrose
more or less dispersed;
disorderly orders of bayberry; between the rows
of dunes
irregular swamps of reeds
though not reeds alone, but grass bayberry, yarrow, all . . .
predominantly reeds:

I have reached no conclusions, have erected no boundaries,
shutting out and shutting in, separating inside
from outside: I have
drawn no lines:
as

manifold events of sand
change the dune’s shape that will not be the same shape
tomorrow,

so I am willing to go along, to accept
the becoming
thought, to stake off no beginnings or ends establish
no walls:

by transitions the land falls from grassy dunes to creek
to undercreek: but there are no lines though
change in that transition is clear
as any sharpness: but “sharpness” spread out,
allowed to occur over a wider range
than mental lines can keep:

the moon was full last night: today, low tide was low:
black shoals of mussels exposed to the risk
of air
and, earlier, of sun,
waved in and out with the waterline, waterline inexact,
caught always in the event of change:
a young mottled gull stood free on the shoals
and ate
to vomiting: another gull, squawking possession, cracked a crab,
picked out the entrails, swallowed the soft-shelled legs, a ruddy
turnstone running in to snatch leftover bits:

risk is full: every living thing in
siege: the demand is life, to keep life: the small
white blacklegged egret, how beautiful, quietly stalks and spears
the shallows, darts to shore
to stab —- what? I couldn’t
see against the black mudflats—a frightened
fiddler crab?

the news to my left over the dunes and
reeds and bayberry clumps was
fall: thousands of tree swallows
gathering for flight:
an order held
in constant change: a congregation
rich with entropy: nevertheless, separable, noticeable
as one event,
not chaos: preparations for
flight from winter,
cheet, cheet, cheet, cheet, wings rifling the green clumps
beaks
at the bayberries
a perception full of wind, flight, curve,
sound:
the possibility of rule as the sum of rulelessness:
the “field” of action
with moving, incalculable center:

in the smaller view, order tight with shape:
blue tiny flowers on a leafless weed: carapace of crab:
snail shell:
pulsations of order
in the bellies of minnows: orders swallowed,
broken down, transferred through membranes
to strengthen larger orders: but in the large view, no
lines or changeless shapes: the working in and out, together
and against, of millions of events: this,
so that I make
no form of
formlessness:

orders as summaries, as outcomes of actions override
or in some way result, not predictably (seeing me gain
the top of a dune,
the swallows
could take flight—some other fields of bayberry
could enter fall
berryless) and there is serenity:

no arranged terror: no forcing of image, plan,
or thought:
no propaganda, no humbling of reality to precept:

terror pervades but is not arranged, all possibilities
of escape open: no route shut, except in
the sudden loss of all routes:

I see narrow orders, limited tightness, but will
not run to that easy victory:
still around the looser, wider forces work:

I will try
to fasten into order enlarging grasps of disorder, widening
scope, but enjoying the freedom that
Scope eludes my grasp, that there is no finality of vision,
that I have perceived nothing completely,
that tomorrow a new walk is a new walk.

Corsons Inlet by A.R. Ammons

~~~
~~~

A.R. Ammons Wiki

A.R. Ammons; Transcendentalist

Emerson essay: The American Scholar; Transcendentalism

Transcendental Generation

The web of American Transcendentalism