I Left On My Trusty Steed; Photo. More Ascender’s Photos.

~~~

A white, indifferent morning sky,
and a crow, hectoring from its nest
high in the hemlock, a nest as big
as a laundry basket …
In my childhood
I stood under a dripping oak,
while autumnal fog eddied around my feet,
waiting for the school bus
with a dread that took my breath away.

The damp dirt road gave off
this same complex organic scent.

I had the new books—words, numbers,
and operations with numbers I did not
comprehend—and crayons, unspoiled
by use, in a blue canvas satchel
with red leather straps.

Spruce, inadequate, and alien
I stood at the side of the road.
It was the only life I had.

Three Songs at the End of Summer (full text) by Jane Kenyon

New Hampshire’s poet laureate at the time of her untimely death at age forty-seven, Jane Kenyon was noted for verse that probed the inner psyche, particularly with regard to her own battle against the depression that lasted throughout much of her adult life.

Constance began Kenyon’s study of depression, and her work in this regard has been compared with that of the late poet Sylvia Plath. Comparing the two, Breslin wrote that “Kenyon’s language is much quieter, less self-dramatizing” than that of Plath, and where the earlier poet “would give herself up, writing her lyrical surrender to oblivion, . . . Kenyon fought to the end.” Breslin noted the absence of self-pity in Kenyon’s work, and the poet’s ability to separate from self and acknowledge the grief and emotional pain of others, as in her poems “Coats,” “Sleepers in Jaipur,” and “Gettysburg: July 1, 1863,” which imagines a mortally wounded soldier lying in wait for death on the historic battlefield.

Kenyon’s poems are filled with rural images: light streaming through a hayloft, shorn winter fields. She wrote frequently about wrestling with depression, which plagued her throughout her adult life. Though a subtle faith permeates her poems. The essays collected in A Hundred White Daffodils reveal the important role church came to play in her life once she and Hall moved to Eagle Pond Farm. However, two visits to India in the early 1990s led to a crisis of faith, as Hall (in introductions to her books and in his own memoirs), Alice Mattison, and her biographer John Timmerman have described.

Her poem “Let Evening Come” was featured in the film In Her Shoes, in a scene where the character played by Cameron Diaz reads the poem to a blind nursing home resident.